The Edit is not just elevated design.
It's confidence in what we choose — and what we don't.
But authority alone isn't enough. People have to feel something when they step in.
This is the balance we're building:
High taste, without distance.
Curation, without intimidation.
Design, with a pulse.
Not colder. Not safer. Better.
We refine by tightening the system — and introducing moments of energy: color, softness, shape. Because the goal isn't just to impress. It's to draw people in.
Five unique footprints. Five unique ways to experience the space. Five unique approaches to presenting product. Five unique ways to feel the curation.
Each one built on the same idea — different rhythms, different ways in, all unmistakably DSW.
An invitation you can feel.
The Pavilion steps forward into the store — softening the boundary between aisle and experience. It draws you in naturally. Guides movement without forcing it. Creates a sense of discovery before you even step inside.
This is where The Edit begins to engage — not as a destination, but as a presence. You feel it before you enter.







What it solves: the hardest moment in retail is the threshold. The Pavilion makes the threshold do the work — instead of standing between aisle and destination, it dissolves the distinction. You don't enter The Edit. You're already in it.
A more deliberate entry.
The Annex holds its edge — creating a moment of separation before you step inside. It filters the experience. Focuses attention. Builds anticipation.
Because curation isn't immediate. It's revealed. The Annex makes you pause for half a second at the threshold — and that half-second is what makes the rest land.





What it solves: density without curation feels like a warehouse. The Annex builds a moment of framing before the product reveal, which resets the shopper's eye and makes the offer feel considered — even at scale.
Where product leads.
The Gallery strips the space back — creating a clear, confident presentation. It's open. Legible. Uncomplicated. Every choice feels intentional. Every product has its place.
Because when curation is strong, it doesn't need to compete. The shoe is the art. The room disappears. Presence without distraction.










What it solves: volume can drown out taste. The Gallery proves that DSW's scale is an asset, not a liability — every product displayed with the confidence of a curated showroom, without losing the accessibility that defines the brand.
Energy from all sides.
The Forum opens itself to the store — creating multiple points of entry and engagement. It invites movement. Encourages circulation. Builds a sense of activity around it.
More dynamic. More social. More alive. Because great curation doesn't just sit — it interacts. This is the one that feels the most like a place, not a department.










What it solves: big-box retail rarely has a heart. The Forum gives the store one — a gathering point that rewards circling, that rewards returning, that gives shoppers a reason to move through and come back to the same spot. Social proof built into the architecture.
A space within a space.
The Atrium divides, then reconnects — framing distinct expressions around a shared center. It creates a sense of ease. A place to pause, to gather, to discover.
Less like a store. More like a destination. Where the experience unfolds naturally — and the product feels considered, not crowded.







What it solves: the store-as-errand has a ceiling. The Atrium reframes the store as a destination — a place a shopper would think of, visit on purpose, linger in, bring a friend to. It stretches DSW's relationship with the shopper from transactional to intentional.
Each of the five is a different answer to the same question: how do we make taste feel like home?
The Pavilion dissolves the threshold. The Annex makes you pause before you enter. The Gallery lets the product lead. The Forum builds a center of gravity. The Atrium turns the store into a destination.
They are not variations. They are positions. Different rhythms. Different ways in. All unmistakably DSW.
Let us surprise you.